在漫長(zhǎng)的設(shè)計(jì)生涯中,庫(kù)卡波羅的設(shè)計(jì)風(fēng)格從不追風(fēng),從不逐流,在許多曇花一現(xiàn)般的流行風(fēng)格前,庫(kù)卡波羅的作品更顯歷久彌新;今天,庫(kù)卡波羅的早期作品依然在全球范圍生產(chǎn)流通,而且就像五、六十年前一樣,充滿現(xiàn)代感。

庫(kù)卡波羅教授的足跡遍布世界范圍,他的作品14次被包括紐約現(xiàn)代藝術(shù)博物館、德國(guó)VITRA設(shè)計(jì)博物館等永久收藏,1963-1980年期間,以校長(zhǎng)和客席教授身份施教多個(gè)國(guó)家的設(shè)計(jì)院校（包括中國(guó)江南大學(xué)、南京林業(yè)大學(xué)等）,1980年至今,講學(xué)于世界各地,并堅(jiān)持創(chuàng)作設(shè)計(jì),每年都有新的設(shè)計(jì)作品推出。

Timeless furniture

The core of Avarte’s collection are the classics designed by the company’s principal designer, Yrjo Kukkapuro in the 1960’s, for example Karuselli, Remmi, Ateljee and Funktus chairs. One of Kukkapuro’s favourite sayings, “Does it make any sense to design a chair which is not good to sit on.” describes Avarte’s love for ergonomic furniture. Kukkapuro has also states that a designer should be an artist, a doctor and an engineer in the same time. Kukkapuro’s timeless pieces are displayed for example in New York MoMA’s and London Victoria and Albert Museum’s permanent collections. Today, Avarte collaborates also with other leading designers like Mikko Paakkanen, the designer of the much praised Nietos-chair, who was nominated as the Young Designer of the year 2006.

Our culture: humanistic, Open, Innovative, down-to-earth.

Our vision: To foster culture in the products and sell products based on the culture, to provide the unique surroundings and to become the most popular furniture brand.

Projects worldwide

AVARTE has participated in many interior design projects worldwide. We have supplied furniture to several projects designed by famous architects, such as cultural centres, city halls, offices of many international corporations, universities and other institutes, banks and hospitals.

Modern classics

For example the following museums have taken furniture designed by Yrj? Kukkapuro for AVARTE to their permanent collections: New York: Museum of Modern Art, London: Victoria and Albert Museum, Hamburg: Museum für Kunst und Gewerbe, Weil am Rhein: Vitra Design Museum, Copenhagen, Gothenburg and Helsinki museums of industrial art, and the National Museum in Stockholm.

Environment

Rational use of materials and timeless design combined with the high quality, durability and long lifespan of furniture is the most essential factor for our environment. A piece of furniture stresses the environment at the most when it is taken to the dump. AVARTE furniture are made for long term use and their lifespan is prolonged by the availability of replacement parts, which are easy to change.

Designer:Jarkko Reiman

I want, that the form comes from underneath the surface.
I want, that the form has ecological qualities.
I want, that the form has functionality and durability. I want to look for timelessness, also messages from the current time.
I want that my design looks like me, reflects humanity and sense of humour.
- Then I feel that I have succeeded in my work.

80年代中期，庫(kù)卡波羅和雅克雷曼設(shè)計(jì)開(kāi)發(fā)了阿旺特第一代辦公桌組-visual-100系列，在不規(guī)整的環(huán)境中，人們可以按自己的意愿，來(lái)自由舒適的安排自己的工作生活。

10年后的1998年，伴隨綜合信息世紀(jì)的到來(lái)，配合豐托思、賽可思系列辦公椅的開(kāi)發(fā)完成，庫(kù)卡波羅及雅克雷曼又深化了這套產(chǎn)品，更加豐富了人體工程學(xué)和現(xiàn)代辦公文化在阿旺特桌組系統(tǒng)中的應(yīng)用。

visual 100
Design: Jarkko Reiman

視覺(jué) 100－靈活、自由的組合
視覺(jué) 100系列按照最新的人體工學(xué)原理設(shè)計(jì)，代表了當(dāng)今最好的技術(shù)。它由形狀和尺
寸不同的桌面組成，主要是為小型辦公室與洽談休閑區(qū)域設(shè)計(jì)的，輕巧生動(dòng)的線條代替了傳
統(tǒng)的厚重外觀，適合于各種空間。
它有紅、黃、藍(lán)三種顏色的飾條點(diǎn)綴，起到了防撞和裝飾的雙重效果，是優(yōu)雅而功能出
色的家具。

適用范圍: 辦公區(qū)域、洽談區(qū)域等

板 材： 會(huì)議桌、方桌、圓桌、八角桌25mm中密度板， S151培訓(xùn)桌、培訓(xùn)桌、前排桌、后背連體寫(xiě)字板 20mm中密度板

桌板顏色： 會(huì)議桌、會(huì)客桌、洽談桌、方桌黑橡木色、白橡木色（常規(guī)）
S151 培訓(xùn)桌、前排桌、后背連體寫(xiě)字板白色、黑色素板

貼 面： 橡木三聚氰胺板、素面三聚氰胺板

支 架: 黑色（常規(guī)）

防撞飾條： 塑料PU，紅色、黑色、藍(lán)色（常規(guī)）

調(diào) 節(jié) 腳： PVC，紅色、黑色、藍(lán)色（常規(guī)）

尺寸:
視覺(jué)100圓桌 R800*720 R1000*720 R1200*720
視覺(jué)100八角桌 R800*720 R1000*720 R1200*720
視覺(jué)100方桌 800*720 1000*720 1200*720
S151 培訓(xùn)桌 600*1200*720 600*1800*720
S152 培訓(xùn)桌 600*800*710 600*1000*710 600*1200*710
600*1400*710 600*1600*710 600*12800*710

安裝說(shuō)明：先將桌板放在平面處，后把架子平行放在桌板上,用自攻螺絲固定